Padmarajan through his short stories, novels, and films, portrays the most real, layered, self-compassionate, and brutal women characters.
In Indian cinema, caste continues to be wilfully erased and invisibilised as our society refuses to acknowledge its ugly casteist practices.
Not only did I accept my stuttering, I also tried to win it over, making it acceptable for others to stutter too.
'The Colour Purple' emerges out of the experiences of black women and the oppressive realities of the 1900s that continue to be relevant.
Rather than focusing on the power play and horror of the act of rape, Malayalam films use them to titillate tantalise the male audience.
'She's Beautiful When She's Angry' gives an account of the second wave feminism by portraying its hilarious take on feminist stereotypes.
Wild Wild Country documents the rise and fall of the controversial city of Rajnesshpuram in Oregon, USA in the 1980s.
In light of #MeToo, it is now important to decide if a piece of culture is irredeemably tainted by the involvement of men accused of assault.
The successful Bhubaneswar Pride march was put together by The Parichay Collective, Meera Parida's NGO 'Sakha', and SAATHII.
AIB is often criticised for its feminist ideas and pro-woman stance and when that exists with the condemnation of a tradition.