Envisioning Gender-Just Content For The Twenty First Century: A Response To The Hema Committee Report By J. Devika, Gayatri Devi, Deepti Komalam, Bindu Menon and Darshana Sreedhar Mini 6 min read | Sep 30, 2024
‘Kaos’ Reigns: A Queer-Feminist Revival Of A Misogynist CanonBy Sohini Sengupta 7 min read | Sep 30, 2024
‘Sector 36’ Celebrates The Grotesque And Almost Empathises With The CulpritsBy Dr. Guni Vats 5 min read | Sep 27, 2024
Travel And Femininity In Films At The Crossroads Of Class And AgeBy Vidhupriya 5 min read | Sep 19, 2024
Why Do Indian Historical Films Fail To Re-tell History Authentically?By Santosh Kumar 7 min read | Sep 19, 2024
Rethink, Reshape, Rebuild: WCC Charts New Code Of ConductBy Sohini Sengupta 6 min read | Sep 17, 2024
Women Who Travel: An Analysis Of Gender And Travel In Hindi CinemaBy Vaishali Saxena 7 min read | Sep 17, 2024
‘IC 814: The Kandahar Hijack’ Is A Series Desperately Trying To Be RelevantBy Dr. Guni Vats 5 min read | Sep 11, 2024
‘Saripodhaa Sanivaaram’: A Typical Commercial Film With A Dash Of Vigilante JusticeBy Stuti Paul Singh 6 min read | Sep 5, 2024
Laila Majnu Re-Release: The Successful Afterlife Of The Intense RetellingBy Sarah Nautiyal 7 min read | Sep 3, 2024
