Mahanagar, a film by Satyajit Ray exhibits the middle class morality of the '60s and shows how development enforces change in gender roles.
Ghare-Baire, set in the nationalist movement, surrounds Bimala and how she transgresses from the inner courtyard of the home out to the world.
Baahubali 2 shows radical women of a certain time period and the price they were made to pay for hurting the masculine ego.
Begum Jaan reinstates the fact that women are objects of desire and also commodities which can be utilised in accordance to the kind of need that arises, whether it's for entertainment, or sexual desire, or for independence and nationalistic honour.
बेगम जान राष्ट्रीय पुरस्कार विजेता निर्देशक श्रीजीत मुखर्जी की बांग्ला फिल्म 'राजकहिनी' का हिंदी रीमेक है। आज़ादी से पहले की यह एक ऐसी कहानी है जो आज तक अनकही थी|
With every international film festival held, the question gets more pressing. Where are the female directors?
Anaarkali Of Aarah is a triumphant assertion of female agency and sexuality. However, we need more diversity in the portrayal of Muslim women.
भारतीय सिनेमा में इस नए चलन की नींव साल 1930 में आस्ट्रेलिया मूल की भारतीय मैरी एन इवांस ने रखी, जो आगे चल कर ‘फीयरलेस नादिया’ के नाम से जानी गर्इं। यह थीं - भारत की पहली महिला स्टंटवूमन।
Silk Smitha's comfort in her own body and with her sexuality were a revolt against the sexist film industry that only saw women as objects.
Holi songs reflect a disturbing rape culture where men are portrayed as deriving pleasure from harassment and women from being harassed.