Manoranjan, directed by Shammi Kapoor with a star cast of Sanjeev Kumar and Zeenat Aman, is funny, charming, and sweet - not to mention bold and convention-smashing film.
While, according to WHO, the death toll from unsafe abortions keeps rising to contribute almost 8% of maternal deaths, our films are not really helping the discourse about pro-choice abortion either.
Love, Simon is a teen rom-com set in an American high school where the protagonist is a teen gay boy called Simon and how his last year in high school changed his and his friends lives forever.
Veere Di Wedding is feminist to the extent the market will allow it to be. It is not a radical overturning of gender roles and expectations in Hindi cinema.
The Malayalam film Ramante Edanthottam is a narrative of a middle-class family in Kerala, of the brittle marriage of Elvis and Malini and the complexities of marital life.
The film Ajji does a provocative, un-ignorable job of capturing the psychic reality that informs the fears and desires of far too many girls and women in contemporary Indian society.
There is a good amount of representation of ethnicities and differently abled people in Deadpool 2, but visibly not enough women.
How many more Rahuls and Chulbul Pandeys do we need to figure out the culture of toxic masculinity they are contributing to?
Raazi is the story of Sehmat Khan, a Kashmiri Muslim spy who was wed into a family of high-ranking Pakistani army officials. This was upon her father’s insistence, in order to gain critical information before the 1971 Indo-Pakistan War.
A decade full of storytelling built the momentum for Avengers: Infinity War, giving us a movie that’s unparalleled in many ways.