Pariyerum Perumal is a fervent portrayal of caste-ridden society in which the dominant caste groups unleash acts of victimisation, exploitation and humiliation against the Dalits.
While the first film didn’t hit the standards set by the Harry Potter series, it was watchable. The Crimes of Grindelwald, however, sank.
If 'Jaoon Kahaan Bata Ae Dil' was meant to be an issue-driven film, the lack of understanding of any of the issues it attempts to portray makes it a failure.
Sivaranjani And Two Other Women shows the lives of three married women from different backgrounds, fighting the same enemy within the confines of their homes – the patriarchy.
'Lakshmi' highlights the intense hardship, pressure, and indignity the protagonist goes through to ensure the guilty are punished.
'Water' explores how religion is used as a tool to manipulate and exploit an entire class of women and the way patriarchal imperatives inform religious beliefs.
Nathicharami tries to make all the right moves, give all the right messages, and yet the whole film as a package rankles as something that is clearly a man's vision.
In Ottamuri Velicham, Sudha is the object whom her husband takes out all his frustrations on – raping her, beating her up, and torturing her using new tools night after night.
The emotional core of 'Soni' is about the struggle of being a woman with some amount of power in a world rife with misogyny.
After being separated from his father, Hamid, a resilient and resourceful boy, figures out Allah’s phone number, and starts having conversations with him.