Bengali Film ‘Onyo Opala’ Reimagines Marriage As A Site Of Shared Oppression And Unexpected FriendshipBy Suraj Sur 4 min read | Jul 22, 2026
The Maternal Saviour: Why Indian Feminist Dystopias Struggle To Imagine Women Beyond MotherhoodBy Manya Suri 6 min read | Jul 16, 2026
‘Alpha’ Raises A Pertinent Question: Are Bollywood’s ‘Female-Led’ Films Still Centred On Men?By Suditi Sundaram 6 min read | Jul 10, 2026
‘Main Vaapas Aaunga’ Remembers Partition, But Whose Memories Does It Preserve?By Sonam Kumari 7 min read | Jul 2, 2026
The Violence Of Male Desire: Consent And Bodily Autonomy In ‘Obsession’By Kashish Komal 8 min read | Jun 19, 2026
Unscripted And Unbound: Hearing From The Women Behind ‘Mast Mahila Mandali’By Sucheta Chaurasia 6 min read | Jun 15, 2026
‘Kartavya’ Captures The Emotional Exhaustion Of Contemporary IndiaBy Vansh Sharma 5 min read | May 22, 2026
‘Pati Patni Aur Woh Do’ And Bollywood’s Love Affair With InfidelityBy Oshin Mathew 6 min read | May 21, 2026
Why Should Girls Have Fun?: ‘Vaazha 3’ And Male Anxieties About Women-Centric Narratives In CinemaBy Malavika Ajikumar 5 min read | Apr 30, 2026
The Socialist Misogyny: On The Portrayal Of Women Characters In Socialist Hindi CinemaBy Ashish Kumar Sharma 5 min read | Apr 28, 2026
Chiraiya Highlights The Paradox Of Preaching Equality While Practising PatriarchyBy Dimple Kariya 6 min read | Mar 31, 2026
