F.R.I.E.N.D.S is homophobic, sexist, racist, transphobic and a show full of gender stereotypes like any other sitcom.
These Korean dramas tread on the murky path of deconstructing masculinity in many ways, and concurrently, construct and reinforce gender roles and norms in innumerable representations of romance.
Fifteen years ago, with its last episode, Sex and the City gave a whole new definition to female solidarity. While the underlying flaws in the series cannot be overlooked, it can also not be denied that the show has been an integral part of the popular culture.
Ladies and gentlemen, this is the women empowering serial- "Zindagi Gulzar hai"- a guide to middle class girls on how to achieve social mobility by remaining virginal and thus, marrying burger guys who can claim to deserve them after "being boys for most of their life".
Gather round, feminists! It's exhausting work raging against The Man, so how about you play these feminist songs for a musical pick-me-up?
Despite having an intersex protagonist,'Shakti' is stereotypical saas-bahu soap and steers clear of actual problems faced by the community.
The 12th episode of Koffee with Karan shows how toxic masculinity, privileged talk, misogyny, sexism, and ignorance is highly normalised in India and Hardik Pandya has become the epitome of it.
Four More Shots Please was branded as a feminist show celebrating women and their lives. Though it touched upon and talked about society’s usually hushed up topics, it still feeds on the roots of internalised prejudices.
As the sixth season of Koffee with Karan comes to an end, it leaves behind a trail of misogyny, body-shaming, toxic masculinity, and a new wave of nepotism.
With four very different females in the lead roles, Four More Shots Please tries to provide a glimpse into the life of a modern, urban, upper class, upper caste, privileged woman in India.