A few of the films in Malayalam cinema industry today are striking a strong blow against misogyny, which has otherwise been celebrated unapologetically for decades.
Orna Donath in her controversial yet unapologetically candid book Regretting Motherhood: A Study explores a seldom talked about aspect of being a mother in a patriarchal society; regret.
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.