Solanki Chakraborty
Solanki is an independent researcher from Kolkata, based in Hyderabad. She is an M.Phil. graduate in Comparative Literature, University of Hyderabad. She is interested in Food History and she swears by Bollywood.
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The Covert Misogyny In Sooraj Barjatya’s Films
In Vivah, Sooraj Barjatya has made contrasting portrayals of Rama and Krishnakant — the man as a calm, rational and composed, and the woman as conniving and high on her emotions, reveal the inherent sexism of Sooraj Barjatya.
Virat Kohli & Co. Takes The Knee For BLM, But Silent When It Comes...
The Indian cricket team was seen taking the knee to express solidarity with the #BlackLivesMatter movement at the T20 World Cup match.
A Brief Summary Of The Second Wave Of Feminism
The Second Wave of feminism is usually demarcated from the 1960s to the late 1980s. It was a reaction to women returning to their roles as housewives and mothers after the Second World War.
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These Are The 15 Women Who Helped Draft The Indian Constitution
On this Republic Day, let us take a look at the fifteen powerful women who helped draft the Indian Constitution.
Gender Roles And Stereotyping In ‘To Kill A Mockingbird’
To Kill a Mockingbird covers several themes that are often uncomfortable to encounter and explore, such as racism and loss of innocence.
Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.
