Vatya Raina
Vatya is a Master’s student of Women’s Studies at Tata Institute of Social Sciences. She has played an active part in student politics with her organisation, AISA (All India Students Association) and continues to be a part of it. Her view of the future is intersectional and she believes in change. The love for theatre keeps her alive. She fears silence the most.
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Film Review: Biriyani – A Gripping Take On The Life Of Muslim Women In...
Biriyani, screened at the 11th Indian Film Festival, Bhubaneshwar, is a stark reminder of the relative, and absolute position of a woman, within the Muslim samajam, society in Kerala today.
Kani Kusruti: Setting The Bar High With Acting And Politics Around Body & Representation
In Biriyaani, Kani Kusruti plays the character of Khadeeja, who is in a loveless marriage with an older man and is battling the stigma around the identity of a Muslim woman in India.
The ‘Aunty’ Body And All That Follows
In the Indian imagination, an ‘Aunty’ is a middle-aged, usually fat woman who is married and has children. Young women, especially unmarried ones, either do not want to associate with the term or are expected to steer clear of it.
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These Are The 15 Women Who Helped Draft The Indian Constitution
On this Republic Day, let us take a look at the fifteen powerful women who helped draft the Indian Constitution.
Gender Roles And Stereotyping In ‘To Kill A Mockingbird’
To Kill a Mockingbird covers several themes that are often uncomfortable to encounter and explore, such as racism and loss of innocence.
Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.