‘Avatar: Fire And Ash’ And The Power Dynamics That Go UnnoticedBy Swastika Chakraborty 5 min read | Feb 26, 2026
Why We Don’t Need Another Romantic Heathcliff: Emerald Fennell’s “Wuthering Heights” And The Aestheticisation Of Male ViolenceBy Aryaa Singh 6 min read | Feb 23, 2026
‘Mardaani 3’ And The Limits Of The “Strong Female Cop” NarrativeBy Ananya Shukla 5 min read | Feb 5, 2026
Progressive Mask, Regressive Portrayal: Why ‘Hot Spot 2 Much’ Is Pure RagebaitBy Vijaya Shankar O 5 min read | Feb 5, 2026
The Privileged Feminism Of ‘People We Meet On Vacation’: A Review By Gunn Bhargava 6 min read | Feb 2, 2026
‘Kaantha’ (2025): A Film About Filmmaking That Doesn’t Quite DeliverBy Shreenithi Annadurai 5 min read | Jan 29, 2026
The Housemaid Feminist Review: Subverting The ‘Madwoman’ Archetype And Class ExploitationBy Sariya Imam 2 min read | Jan 28, 2026
The Girlfriend Review: Breaking The ‘Lucky’ Wife Archetype And Tollywood’s Profitable History Of Stalking And SilenceBy Amritesh Mukherjee 6 min read | Jan 22, 2026
Sara Arjun, Ranveer Singh And The “Age”-Old Question That Bollywood Keeps DodgingBy Mahi Adlakha 5 min read | Jan 14, 2026
‘Perfect Family’ (2025): When Therapy Enters The Indian Living RoomBy Shivani Keny 6 min read | Jan 9, 2026
‘Single Salma’ Review: Charting Self-Love As A Feminist RevolutionBy Shainal Verma 8 min read | Jan 7, 2026
Sahir Ludhianvi, Dhurandhar’s Violence, And The Memeification Of DissentBy Aaditya Pandey 7 min read | Jan 6, 2026
‘Kadhal Enbadhu Podhu Udamai’ Means Well — But Misses Caste and Class Realities of Queer LivesBy Vijaya Shankar O 7 min read | Jan 5, 2026
