‘Thank You For Coming’: A Failed Shot On Representing LibidoBy Manmeet Kaur 4 min read | Oct 25, 2023
There Is Nothing Wholesome Or Romantic About ‘Kushi’By Sharanya Gopalakrishnan 7 min read | Oct 20, 2023
‘OMG 2’: A Failed Attempt At Raising Awareness About Sex EducationBy Zainab S Qazi 6 min read | Oct 19, 2023
Addressing The Misogyny And The Growing Gender Disparity In The Malayalam Film Industry By Vidhupriya 6 min read | Oct 12, 2023
Khufiya Review: Can Everything Be Translated On Screen?By Sharanya Gopalakrishnan 5 min read | Oct 12, 2023
Review | ‘Tora’s Husband’: Man, Woman And A PandemicBy Minakshi Bujarbaruah and Shashi Mukherjee 5 min read | Oct 5, 2023
20 Years Of ‘Shubho Mahurat’: The Politics Of Love, Gender And ClassBy Triveni Goswami 5 min read | Oct 4, 2023
Why Sujoy Ghosh’s ‘Jaane Jaan’ Is A Failed Feminist Project By Zainab S Qazi 5 min read | Sep 29, 2023
‘The Great Indian Family’: An A For The Effort But Can Do BetterBy Sharanya Gopalakrishnan 6 min read | Sep 28, 2023
The Unwed Mothers Of Hindi Cinema: Analysing Motherhood In MoviesBy Hajara Najeeb 6 min read | Sep 27, 2023
‘Bambai Meri Jaan’: Depicting Family Dynamics In The Criminal Underbelly Of MumbaiBy Sharanya Gopalakrishnan 6 min read | Sep 25, 2023
