‘Killers Of The Flower Moon’: A Film More For Non-indigenous Than For Indigenous ViewersBy Gayatri Devi 7 min read | Nov 7, 2023
Rethinking ‘Piku’: Exploring The Inner Lives Of Complex Female CharactersBy Rida Fathima 5 min read | Nov 2, 2023
‘Omkara’: Challenging Patriarchy And Defying Conventions In BollywoodBy Ayesha Arif 5 min read | Nov 1, 2023
‘Thank You For Coming’: A Failed Shot On Representing LibidoBy Manmeet Kaur 4 min read | Oct 25, 2023
There Is Nothing Wholesome Or Romantic About ‘Kushi’By Sharanya Gopalakrishnan 7 min read | Oct 20, 2023
‘OMG 2’: A Failed Attempt At Raising Awareness About Sex EducationBy Zainab S Qazi 6 min read | Oct 19, 2023
Addressing The Misogyny And The Growing Gender Disparity In The Malayalam Film Industry By Vidhupriya 6 min read | Oct 12, 2023
Khufiya Review: Can Everything Be Translated On Screen?By Sharanya Gopalakrishnan 5 min read | Oct 12, 2023
Review | ‘Tora’s Husband’: Man, Woman And A PandemicBy Minakshi Bujarbaruah and Shashi Mukherjee 5 min read | Oct 5, 2023
