20 Years Of ‘Shubho Mahurat’: The Politics Of Love, Gender And ClassBy Triveni Goswami 5 min read | Oct 4, 2023
Why Sujoy Ghosh’s ‘Jaane Jaan’ Is A Failed Feminist Project By Zainab S Qazi 5 min read | Sep 29, 2023
‘The Great Indian Family’: An A For The Effort But Can Do BetterBy Sharanya Gopalakrishnan 6 min read | Sep 28, 2023
The Unwed Mothers Of Hindi Cinema: Analysing Motherhood In MoviesBy Hajara Najeeb 6 min read | Sep 27, 2023
‘Bambai Meri Jaan’: Depicting Family Dynamics In The Criminal Underbelly Of MumbaiBy Sharanya Gopalakrishnan 6 min read | Sep 25, 2023
‘While We Watched’: A Story Of Strength, Dissent And Courage In The Face Of Injustice By Zainab S Qazi 5 min read | Sep 22, 2023
‘Kousalya Supraja Rama’: Is Sandalwood Finally Waking Up To Toxic Masculinity?By B R Garima Rao 4 min read | Sep 21, 2023
Friday Night Plan: A Failed Attempt At Americanising Indian High School Experience By Vedika Tuwani 5 min read | Sep 15, 2023
Jawan: Not A Revolutionary Film But A Necessary OneBy Sharanya Gopalakrishnan 5 min read | Sep 14, 2023
FII Interviews: In Conversation With Film Producer Apoorva Guru CharanBy Ananya Surana and Shakti Nirmal 10 min read | Sep 4, 2023
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