Parineeta Depicts The Progressive Facade Of The Bengali BhadralokBy Sara Bardhan 5 min read | Jul 23, 2020
A Feminist Revisiting Of The Supercop In ‘Darbar’ In A Time Of Police BrutalityBy Priyadarshini Krishnaraj 7 min read | Jul 20, 2020
Blue Is The Warmest Colour: Abdellatif’s Male Gaze And His Treatment Of LoveBy Sonia Singh 5 min read | Jul 20, 2020
Rasbhari Review: The Problematics Of A Series Trying Hard To Teach About Female SexualityBy Grishma Trivedi 5 min read | Jul 20, 2020
How Is The Representation Of ‘Chudail’ In Bulbbul Different From Bhool Bhulaiyaa’s Monjolika?By Tatsita Mishra 8 min read | Jul 17, 2020
Film Review: ‘Puzzle’ Unravels The Story Of A Woman And Her Journey Of Exploring HerselfBy Mudita Sonawane 5 min read | Jul 16, 2020
Women Film Makers In Bollywood Are Killing The ‘Angel In The House’By Pratyusha Pramanik 8 min read | Jul 15, 2020
Kabir Singh & The Ever-Elevating Rank Of Misogynistic Indian ArchetypeBy Mythily Nair 5 min read | Jul 15, 2020
A Deconstruction of Dilwale Dulhania Le Jayenge Using The Gender Role TheoryBy Sanjula Gupta 6 min read | Jul 14, 2020
Axone: The Problematic Representation Of The Nepali Community In The FilmBy Prescilla Tamang 6 min read | Jul 9, 2020
Film Review: ‘The Tale’ Narrates A Powerful Story On Child Sexual Abuse & #MeTooBy Hira Naaz 8 min read | Jul 9, 2020
Film Review of ‘Krishna And His Leela’ On Netflix: A Long-Winded Justification Of Toxic MasculinityBy Eesha 4 min read | Jul 7, 2020
