‘Main Vaapas Aaunga’ Remembers Partition, But Whose Memories Does It Preserve?By Sonam Kumari 7 min read | Jul 2, 2026
The Violence Of Male Desire: Consent And Bodily Autonomy In ‘Obsession’By Kashish Komal 8 min read | Jun 19, 2026
Unscripted And Unbound: Hearing From The Women Behind ‘Mast Mahila Mandali’By Sucheta Chaurasia 6 min read | Jun 15, 2026
‘Kartavya’ Captures The Emotional Exhaustion Of Contemporary IndiaBy Vansh Sharma 5 min read | May 22, 2026
‘Pati Patni Aur Woh Do’ And Bollywood’s Love Affair With InfidelityBy Oshin Mathew 6 min read | May 21, 2026
Why Should Girls Have Fun?: ‘Vaazha 3’ And Male Anxieties About Women-Centric Narratives In CinemaBy Malavika Ajikumar 5 min read | Apr 30, 2026
The Socialist Misogyny: On The Portrayal Of Women Characters In Socialist Hindi CinemaBy Ashish Kumar Sharma 5 min read | Apr 28, 2026
Chiraiya Highlights The Paradox Of Preaching Equality While Practising PatriarchyBy Dimple Kariya 6 min read | Mar 31, 2026
Dhurandhar: The Revenge Gives Us A Peek Into Aditya Dhar’s Manosphere And The Construction Of An Islamophobic NarrativeBy Aarthi Ramnath 6 min read | Mar 27, 2026
BAFTA Stage And The Silence Around Manipur: A Speech That Echoed Louder Than The AwardBy Mema Chongtham 5 min read | Mar 18, 2026
Assi Review: A Film That Forces Viewers To Confront Women’s Everyday RealityBy Ananya Shukla 5 min read | Mar 17, 2026
