In a post-enlightenment world flooded with the ideas of gender equality, rationality and justice, the re-telecast of Ramayana with these events raises significant and harsh question on the design of Indian society.
The stories surfacing under the #MeToo movement are testimony to the fact that sexual harassment has been prevalent but concealed behind the silver screen’s curtain.
All of them have a certain degree of sexism and misogyny reflected in their lyrics and portrayed in their videos. Badshah’s (or is it?) Genda Phool is no exception.
The world of superheroes has always been unfair to women, just like ours. For ages, the protagonists have only been men. Women exist completely in their context.
While we celebrate the complex gender narrative that runs through a show like Pushpavalli, we need to acknowledge that it fails in demonstrating intersectionality.
Neha Dhupia, speaking her mind out which was contrary to popular belief, led to her and her entire family through unwarranted mistreatment.
The story of To All The Boys I’ve Loved Before: P.S. I Still Love You goes on to revolve around the ‘sometimes you have to kiss the wrong man to know who is right for you’ narrative.
The Netflix comedy-drama series Sex Education which premiered on January 2019 had already garnered significant attention and millions of viewers owing to its fresh take on teenage sexual (mis)adventures and its sensitive storytelling.
Even though the video game industry has seen a revolution in the past few years in terms of its growth and revenue, women still form roughly 22- 25% of the workforce in the gaming industry, and only 5 percent (approximately) of these are employed in programming roles.
TikTok as a platform is a way to express one’s thoughts. So when young men come up with such sexist and violent videos, it shows how they think.