In the last few years, performers from South Asia have been rising to prominence and using their platform to call out Hollywood’s bias.
In Indian cinema, caste continues to be wilfully erased and invisibilised as our society refuses to acknowledge its ugly casteist practices.
'She's Beautiful When She's Angry' gives an account of the second wave feminism by portraying its hilarious take on feminist stereotypes.
Wild Wild Country documents the rise and fall of the controversial city of Rajnesshpuram in Oregon, USA in the 1980s.
In light of #MeToo, it is now important to decide if a piece of culture is irredeemably tainted by the involvement of men accused of assault.
AIB is often criticised for its feminist ideas and pro-woman stance and when that exists with the condemnation of a tradition.
Ghoul is a dystopian thriller that embodies the reaction to the hyper-nationality that can be seen in the India today.
Art has a responsibility towards reflecting its time truthfully and for catering to ‘human' consumption, and not solely for the male gaze.
Drake is often branded as the nice guy™ of Hip-hop but his lyrics make his embedded misogyny rather evident.
Until recently, funny jokes have only been a culmination of sexist and casteist tropes that thrive on dehumanisation of the minorities.