‘Kho Gaye Hum Kahan’: Diving Deep Into The Simple Yet Nuanced Tapestry Of YouthBy Hridya Sharma 7 min read | Jan 5, 2024
‘Month Of Madhu’: An Attempt At Breaking Norms And Embracing AutonomyBy Anjali Ram 6 min read | Jan 2, 2024
Analysing The ‘Self-Sacrificing Woman’ Trope In Three Celebrated Tamil FilmsBy Vidhupriya 6 min read | Dec 19, 2023
‘The Archies’: A Superficial Film Trying To Pass As Politically AwareBy Anjali Ram 6 min read | Dec 15, 2023
Irugapatru (2023) Review: Navigating Modern Relationships And Marital DiscordsBy Vidhupriya 5 min read | Nov 28, 2023
‘Anatomy of a Fall’: A Cerebral Drama That Never Fully Answers Its MysteryBy Gokul KP 5 min read | Nov 22, 2023
‘Chandramukhi 2’: An Obsolete Making With An Anti-Feminist ApproachBy Anjali Ram 6 min read | Nov 13, 2023
‘Dream Girl 2’ Review: The Patriarchy’s Idea Of A Joke Is Mocking Everything FeminineBy Dr. Guni Vats 6 min read | Nov 8, 2023
‘Omkara’: Challenging Patriarchy And Defying Conventions In BollywoodBy Ayesha Arif 5 min read | Nov 1, 2023
‘OMG 2’: A Failed Attempt At Raising Awareness About Sex EducationBy Zainab S Qazi 6 min read | Oct 19, 2023
Review | ‘Tora’s Husband’: Man, Woman And A PandemicBy Minakshi Bujarbaruah and Shashi Mukherjee 5 min read | Oct 5, 2023
20 Years Of ‘Shubho Mahurat’: The Politics Of Love, Gender And ClassBy Triveni Goswami 5 min read | Oct 4, 2023
‘Kousalya Supraja Rama’: Is Sandalwood Finally Waking Up To Toxic Masculinity?By B R Garima Rao 4 min read | Sep 21, 2023
