‘Thank You For Coming’: A Failed Shot On Representing LibidoBy Manmeet Kaur 4 min read | Oct 25, 2023
There Is Nothing Wholesome Or Romantic About ‘Kushi’By Sharanya Gopalakrishnan 7 min read | Oct 20, 2023
Review | ‘Tora’s Husband’: Man, Woman And A PandemicBy Minakshi Bujarbaruah and Shashi Mukherjee 5 min read | Oct 5, 2023
Why Sujoy Ghosh’s ‘Jaane Jaan’ Is A Failed Feminist Project By Zainab S Qazi 5 min read | Sep 29, 2023
‘The Great Indian Family’: An A For The Effort But Can Do BetterBy Sharanya Gopalakrishnan 6 min read | Sep 28, 2023
‘While We Watched’: A Story Of Strength, Dissent And Courage In The Face Of Injustice By Zainab S Qazi 5 min read | Sep 22, 2023
Friday Night Plan: A Failed Attempt At Americanising Indian High School Experience By Vedika Tuwani 5 min read | Sep 15, 2023
Jawan: Not A Revolutionary Film But A Necessary OneBy Sharanya Gopalakrishnan 5 min read | Sep 14, 2023
Why Rocky Aur Rani Ki Prem Kahani Is A Problematic OneBy Aishwarya Marimuthu 6 min read | Aug 24, 2023
‘Heart of Stone’ Reiterates Old Spy Flick Tropes But Alia Steals The ‘Heart’By Ananya Surana 5 min read | Aug 17, 2023
‘Why Does The Gold Digger Dig Gold?’ A Look Into Tara Khanna’s Character Arc In ‘Made In Heaven’ By Debabratee Dhar 6 min read | Aug 7, 2023
‘Oppenheimer’: A Lesson In Scientific And Moral Dilemma In The Age Of Nuclear ThreatBy Shakti Nirmal 6 min read | Aug 2, 2023
