‘Alpha’ Raises A Pertinent Question: Are Bollywood’s ‘Female-Led’ Films Still Centred On Men?By Suditi Sundaram 6 min read | Jul 10, 2026
‘Main Vaapas Aaunga’ Remembers Partition, But Whose Memories Does It Preserve?By Sonam Kumari 7 min read | Jul 2, 2026
The Violence Of Male Desire: Consent And Bodily Autonomy In ‘Obsession’By Kashish Komal 8 min read | Jun 19, 2026
Unscripted And Unbound: Hearing From The Women Behind ‘Mast Mahila Mandali’By Sucheta Chaurasia 6 min read | Jun 15, 2026
‘Kartavya’ Captures The Emotional Exhaustion Of Contemporary IndiaBy Vansh Sharma 5 min read | May 22, 2026
Dhurandhar: The Revenge Gives Us A Peek Into Aditya Dhar’s Manosphere And The Construction Of An Islamophobic NarrativeBy Aarthi Ramnath 6 min read | Mar 27, 2026
Assi Review: A Film That Forces Viewers To Confront Women’s Everyday RealityBy Ananya Shukla 5 min read | Mar 17, 2026
Accused Review: A Trope-Heavy, One-Dimensional Film With Caricaturised CharactersBy Ananya Surana 6 min read | Mar 16, 2026
‘Avatar: Fire And Ash’ And The Power Dynamics That Go UnnoticedBy Swastika Chakraborty 5 min read | Feb 26, 2026
Why We Don’t Need Another Romantic Heathcliff: Emerald Fennell’s “Wuthering Heights” And The Aestheticisation Of Male ViolenceBy Aryaa Singh 6 min read | Feb 23, 2026
‘Mardaani 3’ And The Limits Of The “Strong Female Cop” NarrativeBy Ananya Shukla 5 min read | Feb 5, 2026
‘Kaantha’ (2025): A Film About Filmmaking That Doesn’t Quite DeliverBy Shreenithi Annadurai 5 min read | Jan 29, 2026
‘Param Sundari’ Review: A Tale Of Coconuts, Stereotypes, And XenophobiaBy Akshita Prasad 7 min read | Sep 15, 2025
