‘Killers Of The Flower Moon’: A Film More For Non-indigenous Than For Indigenous ViewersBy Gayatri Devi 7 min read | Nov 7, 2023
Rethinking ‘Piku’: Exploring The Inner Lives Of Complex Female CharactersBy Rida Fathima 5 min read | Nov 2, 2023
‘Thank You For Coming’: A Failed Shot On Representing LibidoBy Manmeet Kaur 4 min read | Oct 25, 2023
There Is Nothing Wholesome Or Romantic About ‘Kushi’By Sharanya Gopalakrishnan 7 min read | Oct 20, 2023
Review | ‘Tora’s Husband’: Man, Woman And A PandemicBy Minakshi Bujarbaruah and Shashi Mukherjee 5 min read | Oct 5, 2023
Why Sujoy Ghosh’s ‘Jaane Jaan’ Is A Failed Feminist Project By Zainab S Qazi 5 min read | Sep 29, 2023
‘The Great Indian Family’: An A For The Effort But Can Do BetterBy Sharanya Gopalakrishnan 6 min read | Sep 28, 2023
‘While We Watched’: A Story Of Strength, Dissent And Courage In The Face Of Injustice By Zainab S Qazi 5 min read | Sep 22, 2023
Friday Night Plan: A Failed Attempt At Americanising Indian High School Experience By Vedika Tuwani 5 min read | Sep 15, 2023
Jawan: Not A Revolutionary Film But A Necessary OneBy Sharanya Gopalakrishnan 5 min read | Sep 14, 2023
