Grishma Trivedi
Grishma Trivedi is currently pursuing her Doctoral Research at The Maharaja Sayajirao University of Baroda and working at Ahmedabad University. Her research and teaching interests explore the relations between films, literature, culture, identity politics and media, especially as they unfold in contemporary India.
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Medico Students’ Rasputin Video: How Kerala Silenced Bigotry & ‘Dance Jihad’ Claims
The resistance to intolerance that has risen from the Janaki and Naveen's dance to the Rasputin video makes us not give up hope of a secular society that looks beyond religion.
The ‘Aunty’ Body And All That Follows
In the Indian imagination, an ‘Aunty’ is a middle-aged, usually fat woman who is married and has children. Young women, especially unmarried ones, either do not want to associate with the term or are expected to steer clear of it.
Joji Review: Bincy Shines The Brightest In Fahadh Faasil’s Latest
Bincy as Lady Macbeth in Joji is extremely subtle in her acts and ambition. She is the one who first plants the seeds of independence and desire in the mind of Joji when she advises him to sell off the horse without asking for Jomon’s permission.
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These Are The 15 Women Who Helped Draft The Indian Constitution
On this Republic Day, let us take a look at the fifteen powerful women who helped draft the Indian Constitution.
Gender Roles And Stereotyping In ‘To Kill A Mockingbird’
To Kill a Mockingbird covers several themes that are often uncomfortable to encounter and explore, such as racism and loss of innocence.
Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.