Guest Writer

The Great Indian Kitchen, starring Nimisha Sajayan and Suraj Venjaramoodu, is a scathing indictment of the patriarchal institution that marriage is in India, even in the 21st century (or perhaps all over the world?).

With remarkable finesse, Netflix's Sir captures the redundancy of societal constructs such as class barriers and issues of propriety.

I have come to now see the reflexive prejudice hidden in Enid Blyton's books, the gender politics that is troubling to say the least-where the fathers sit in their studies while the mothers makes sandwiches and look after the children, a world where the tomboy George realises that she will never be as good as a real boy.