Pratyusha Pramanik
Pratyusha Pramanik is a Research Scholar and Teaching Assistant in IIT(BHU) Varanasi. She is interested in Post Colonial Resistance and Protest Movements, Gender and Film Studies. She loves momos, coffee and binge-watching K-Dramas. If not gender sensitising her students, she is busy planning her next solo trip. She will someday own a cafe or a sunflower field.
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The ‘Aunty’ Body And All That Follows
In the Indian imagination, an ‘Aunty’ is a middle-aged, usually fat woman who is married and has children. Young women, especially unmarried ones, either do not want to associate with the term or are expected to steer clear of it.
Outside Of The Virgin-Whore Dichotomy: Indian Cinema and Women’s Sexual Desire
Sex on screen, improbable in itself has been restricted to echoing male fantasies with women's sexual desire being featured through the man's lens.
Why We Must Be Critical Of The New Education Policy 2020
The gendered implications of the NEP policies are also significant, in the sense that women will not have an equal opportunity to learn English, given that parents often spend less on a girl's education and research has shown that parents prefer to send boys to private schools and girls to government schools.
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These Are The 15 Women Who Helped Draft The Indian Constitution
On this Republic Day, let us take a look at the fifteen powerful women who helped draft the Indian Constitution.
Gender Roles And Stereotyping In ‘To Kill A Mockingbird’
To Kill a Mockingbird covers several themes that are often uncomfortable to encounter and explore, such as racism and loss of innocence.
Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.