Intersectional Feminism—Desi Style!
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Stuti Kakar

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Stuti holds a master's degree in Sociology, and is currently pursuing her M.Phil in Sociology from Mumbai University. Her areas of interest include gender studies, art history, culture and Identity, and, critical studies of science and technology. Her blog (stutikakar.com) reflects her interest in contemporary debates.

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The 'Aunty' Body And All That Follows

The ‘Aunty’ Body And All That Follows

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In the Indian imagination, an ‘Aunty’ is a middle-aged, usually fat woman who is married and has children. Young women, especially unmarried ones, either do not want to associate with the term or are expected to steer clear of it.
Housework And The Normalization Of The ‘Clueless Man’

Housework And The Normalization Of The ‘Clueless Man’

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When the cluelessness of the man with respect to housework is normalised, the actual burden is thrust on the woman.

Mahasweta Devi’s Draupadi As A Symbol Of Subaltern Defiance

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In Draupadi, Devi presents a strong woman who despite being marginalised and exploited, transgresses conventional sexual and societal standards.

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These Are The 15 Women Who Helped Draft The Indian Constitution/इन 15 महिलाओं ने भारतीय संविधान बनाने में दिया था अपना योगदान

These Are The 15 Women Who Helped Draft The Indian Constitution

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On this Republic Day, let us take a look at the fifteen powerful women who helped draft the Indian Constitution.
To Kill a Mockingbird

Gender Roles And Stereotyping In ‘To Kill A Mockingbird’

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To Kill a Mockingbird covers several themes that are often uncomfortable to encounter and explore, such as racism and loss of innocence.
Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.