Why Sujoy Ghosh’s ‘Jaane Jaan’ Is A Failed Feminist Project By Zainab S Qazi 5 min read | Sep 29, 2023
‘The Great Indian Family’: An A For The Effort But Can Do Better By Sharanya Gopalakrishnan 6 min read | Sep 28, 2023
The Unwed Mothers Of Hindi Cinema: Analysing Motherhood In Movies By Hajara Najeeb 6 min read | Sep 27, 2023
Decoding Audre Lorde’s ‘Uses of Erotica: The Erotic As Power’ By Zainab S Qazi 4 min read | Sep 27, 2023
Believability And Complicity: Dissecting The Masterson Rape Case By Sanjana KS 7 min read | Sep 26, 2023
Eating Through Memory: Culinary Heritage, ‘Indubala Bhaater Hotel’ And Perseverance Of Refugee Women By Ananya Ray 7 min read | Sep 26, 2023
‘Bambai Meri Jaan’: Depicting Family Dynamics In The Criminal Underbelly Of Mumbai By Sharanya Gopalakrishnan 6 min read | Sep 25, 2023
‘While We Watched’: A Story Of Strength, Dissent And Courage In The Face Of Injustice By Zainab S Qazi 5 min read | Sep 22, 2023
‘Kousalya Supraja Rama’: Is Sandalwood Finally Waking Up To Toxic Masculinity? By B R Garima Rao 4 min read | Sep 21, 2023
Jane Austen And The Feminist Marriage: The Rebellious Choice Of ‘Love Over Money’ By Manjima Misra 4 min read | Sep 19, 2023
Friday Night Plan: A Failed Attempt At Americanising Indian High School Experience By Vedika Tuwani 5 min read | Sep 15, 2023
Jawan: Not A Revolutionary Film But A Necessary One By Sharanya Gopalakrishnan 5 min read | Sep 14, 2023
