FII Interviews: In Conversation With Film Producer Apoorva Guru CharanBy Ananya Surana and Shakti Nirmal 10 min read | Sep 4, 2023
Why Rocky Aur Rani Ki Prem Kahani Is A Problematic OneBy Aishwarya Marimuthu 6 min read | Aug 24, 2023
Four Realistic Depictions Of Female Friendships In Indian CinemaBy Keerthana Haridas 4 min read | Aug 23, 2023
‘Heart of Stone’ Reiterates Old Spy Flick Tropes But Alia Steals The ‘Heart’By Ananya Surana 5 min read | Aug 17, 2023
Caste-ing Call: A Cinematic Analysis of Power/Knowledge In ‘Sairat’By Ananya Surana 6 min read | Aug 9, 2023
Review | ‘The Trial’: Kajol’s OTT Debut Is A Lukewarm Legal Drama With No Apparent HeightsBy Dr. Guni Vats 7 min read | Aug 8, 2023
‘Why Does The Gold Digger Dig Gold?’ A Look Into Tara Khanna’s Character Arc In ‘Made In Heaven’ By Debabratee Dhar 6 min read | Aug 7, 2023
The Barbenheimer Phenomenon: A Feminist Examination Of The Binaristic Gendering Of CinemaBy Ananya Ray 6 min read | Aug 7, 2023
‘Oppenheimer’: A Lesson In Scientific And Moral Dilemma In The Age Of Nuclear ThreatBy Shakti Nirmal 6 min read | Aug 2, 2023
