‘C U Soon’, ‘Khuda Haafiz’ And The Politics Of Anti Trafficking DiscourseBy Megha Mehta 7 min read | Sep 25, 2020
Enola Holmes Review: The Damsel Who Distressed The PatriarchyBy Mahika Banerji 6 min read | Sep 25, 2020
In Her Latest, Alankrita Srivastava Dissects How Women’s Sexuality Is CapitalisedBy Sonia Singh 4 min read | Sep 23, 2020
Film Review: Dolly Kitty Aur Woh Chamakte Sitare Loosely Attempts To Address Too Many Feminist IssuesBy Janhavi Sharma 6 min read | Sep 22, 2020
Film Review: Arranged Marriage – A Genuine Attempt To Depict The ‘Forbidden’By Akshay Kumar 5 min read | Sep 21, 2020
‘Yours Nacheez’—How Tawaifs Left A Void In Cinema: Leaving for Bombay Part IIBy Disha Rawal 6 min read | Sep 18, 2020
Rhea Chakraborty’s Media Trial Is an Extension Of A Diabolic Celebrity CultureBy Rutvi Zamre 5 min read | Sep 18, 2020
Beyoncé (Nahi) Sharma Jayegi: Bollywood Is Not, But We Are Sorry Queen!By Moitrayee Das 4 min read | Sep 17, 2020
Lipika Singh Darai’s Cinema: Of Dragonflies, Snakes, Memories & ‘Witches’By Sudha Padmaja Francis 12 min read | Sep 16, 2020
A Suitable Boy Review: BBC’s Adaptation Is Entertaining, But Mostly For A White AudienceBy Samriddha Dutta 7 min read | Sep 15, 2020
Breaking Binaries: Why Should Award Shows Recognise Acting As Gender-Neutral?By Supriyo Dey 6 min read | Aug 31, 2020
Gunjan Saxena And All The Women’s Stories Bollywood Doesn’t Know How to TellBy Sasha J. 7 min read | Aug 28, 2020
Review: Black Lake – A Churail’s Vengeance Of Sexual ViolenceBy Anuprova Ghose 4 min read | Aug 28, 2020
