The Irony Of Empowerment: ‘Bad Newz’ And Patriarchal PortrayalBy Hridya Sharma 6 min read | Jul 24, 2024
‘Sharmajee Ki Beti’: Depicting The Nuances Of The Female ExperienceBy Sarah Nautiyal 7 min read | Jul 22, 2024
‘Aankh Micholi’ Vs Supreme Court: Disability Is Not A PunchlineBy Sohini Sengupta 7 min read | Jul 16, 2024
On Imagining Mothers: How ‘Stanley Ka Dabba’ Holds On To Innocence By Prerna Naidu 6 min read | Jul 16, 2024
‘Mirzapur 3’: The Vehicle Drives The Motive And The Men Follow DesperatelyBy Dr. Guni Vats 6 min read | Jul 16, 2024
‘Kill’: A Gory Splatter Fest Rooted In Desi Weapons, Politics And EmotionsBy Sohini Sengupta 8 min read | Jul 15, 2024
‘Bridgerton’ S3 Part 2: A Rushed Yet Gorgeously Ahistorical FareBy Rokeya Ghani 6 min read | Jul 11, 2024
‘Inside Out 2’: The Celebration Of A Woman’s Emotional Diversity In A Coming-of-Age StoryBy Priyan Majumdar 7 min read | Jul 11, 2024
‘Kalki 2898 AD’: A Mishmash Of Deja Vu, Big B And Desi CyberpunkBy Sohini Sengupta 8 min read | Jul 8, 2024
‘Maharaja’ Review: Vijay Sethupathi And Anurag Kashyap Rock, As Nithilan Saminathan Asks If Revenge Really Is The Best OptionBy Lakshmi Prakash 5 min read | Jul 2, 2024
‘Maharaj’ Is A Forgettable Mess That Neither Ahlawat Nor The Subtext Can SaveBy Sohini Sengupta 6 min read | Jul 1, 2024
