Because Bollywood Asked For It, Here’s Our Feminist Critique Of ‘Beyonce Sharma Jaayegi’By Dr. Richa Shukla and Dalorina Nath 6 min read | Sep 21, 2020
Nalini Jameela: The Author, Sex Worker & Activist On A MissionBy Sarah David 5 min read | Sep 21, 2020
Film Review: Arranged Marriage – A Genuine Attempt To Depict The ‘Forbidden’By Akshay Kumar 5 min read | Sep 21, 2020
The Problematic Representation Of Queer Masculinity In Disney FilmsBy Meghna Chatterjee 6 min read | Sep 21, 2020
‘Yours Nacheez’—How Tawaifs Left A Void In Cinema: Leaving for Bombay Part IIBy Disha Rawal 6 min read | Sep 18, 2020
Rhea Chakraborty’s Media Trial Is an Extension Of A Diabolic Celebrity CultureBy Rutvi Zamre 5 min read | Sep 18, 2020
Beyoncé (Nahi) Sharma Jayegi: Bollywood Is Not, But We Are Sorry Queen!By Moitrayee Das 4 min read | Sep 17, 2020
Netflix’s ‘Stateless’ Proves Its Relevance To The Historical Protests Against CAABy Vatya Raina 5 min read | Sep 17, 2020
Lipika Singh Darai’s Cinema: Of Dragonflies, Snakes, Memories & ‘Witches’By Sudha Padmaja Francis 12 min read | Sep 16, 2020
Our ‘Ethnic/Tribal’ Printed Clothes May Reek Of Cultural Appropriation, Here’s WhyBy Aastha Jani 6 min read | Sep 16, 2020
A Suitable Boy Review: BBC’s Adaptation Is Entertaining, But Mostly For A White AudienceBy Samriddha Dutta 7 min read | Sep 15, 2020
