The Violence Of Male Desire: Consent And Bodily Autonomy In ‘Obsession’By Kashish Komal 8 min read | Jun 19, 2026
Unscripted And Unbound: Hearing From The Women Behind ‘Mast Mahila Mandali’By Sucheta Chaurasia 6 min read | Jun 15, 2026
FII Interviews: In Conversation With Christina Dhanuja On Her Book ‘Dalit Women And The Fullness Of Life’By Japleen Pasricha 5 min read | Jun 9, 2026
‘Aik Aur Pakeezah’ Is The Progressive TV Show South Asia Needs By Shimaila Mushtaq 7 min read | May 29, 2026
‘The Good Reporter’: Inside Khabar Lahariya’s Feminist NewsroomBy Akshita Prasad 7 min read | May 28, 2026
‘Kartavya’ Captures The Emotional Exhaustion Of Contemporary IndiaBy Vansh Sharma 5 min read | May 22, 2026
‘Pati Patni Aur Woh Do’ And Bollywood’s Love Affair With InfidelityBy Oshin Mathew 6 min read | May 21, 2026
The Politics Of Looking: How Cultural Imagery Reinforces Domestic Roles By Shraddha Pradhan 5 min read | May 14, 2026
Why Should Girls Have Fun?: ‘Vaazha 3’ And Male Anxieties About Women-Centric Narratives In CinemaBy Malavika Ajikumar 5 min read | Apr 30, 2026
The Socialist Misogyny: On The Portrayal Of Women Characters In Socialist Hindi CinemaBy Ashish Kumar Sharma 5 min read | Apr 28, 2026
Desire, Defiance, And Widowhood: A Review Of ‘Erotic Stories For Punjabi Widows’ By Balli Kaur JaswalBy Disha Ganguli 4 min read | Apr 27, 2026
