‘Disposable Woman’ Trope: Female Characters Just Advancing Male Protagonists’ StorylinesBy Insha Qayoom Shah 5 min read | May 30, 2024
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Conviction Of Men Hopelessly In Love Keeps ‘Dunki’ Afloat Amidst SuperficialityBy Anushree Joshi 5 min read | Jan 9, 2024
‘Kho Gaye Hum Kahan’: Diving Deep Into The Simple Yet Nuanced Tapestry Of YouthBy Hridya Sharma 7 min read | Jan 5, 2024
Revisiting ‘Dhobi Ghat’: Documenting A DiverCITY Of Emotional Hollowness By Adit Chandrachud 10 min read | Dec 5, 2023
Sukhee Review: A Journey Of Self-discovery With A Cliched ConclusionBy Anjali Ram 6 min read | Nov 28, 2023
What Does ‘O Womaniya!’ Report Say About Representation Of Women In Cinema In 2023By Lakshmi Prakash 8 min read | Nov 7, 2023
Rethinking ‘Piku’: Exploring The Inner Lives Of Complex Female CharactersBy Rida Fathima 5 min read | Nov 2, 2023
‘Omkara’: Challenging Patriarchy And Defying Conventions In BollywoodBy Ayesha Arif 5 min read | Nov 1, 2023
Jawan: Not A Revolutionary Film But A Necessary OneBy Sharanya Gopalakrishnan 5 min read | Sep 14, 2023
FII Interviews: Sucharita Tyagi Talks About Her Journey From RJ To Film Critic, Women-Oriented Films And CensorshipBy Keerthana Haridas 5 min read | Aug 14, 2023