‘Sector 36’ Celebrates The Grotesque And Almost Empathises With The CulpritsBy Dr. Guni Vats 5 min read | Sep 27, 2024
The Flaws In ‘Vedaa’: Unpacking Its Faltered Nuance on Caste And GenderBy Hridya Sharma 5 min read | Aug 26, 2024
‘Ulajh’: Janhvi Kapoor’s Battle With Nepotism Puts The Spectator In CrisisBy Srishti Walia 5 min read | Aug 6, 2024
The Irony Of Empowerment: ‘Bad Newz’ And Patriarchal PortrayalBy Hridya Sharma 6 min read | Jul 24, 2024
‘Maharaja’ Review: Vijay Sethupathi And Anurag Kashyap Rock, As Nithilan Saminathan Asks If Revenge Really Is The Best OptionBy Lakshmi Prakash 5 min read | Jul 2, 2024
‘Maharaj’ Is A Forgettable Mess That Neither Ahlawat Nor The Subtext Can SaveBy Sohini Sengupta 6 min read | Jul 1, 2024
‘Munjya’ Review: Reimagining Horror Comedy For A Contemporary AudienceBy Hridya Sharma 4 min read | Jun 18, 2024
‘Mr. And Mrs. Mahi’: The Neo-Politics Of Stardom Behind The Smokescreen Of GenderBy Srishti Walia 7 min read | Jun 10, 2024
‘DeAr’ (2024) Review: A Tale Of Personal Growth And ForgivenessBy Vidhupriya 5 min read | May 27, 2024
One Campaign, A Billion Stories: ‘WOMB’ (Women Of My Billion) Is A Documentary Worth WatchingBy Sohini Sengupta 8 min read | May 14, 2024
‘Heeramandi’: Bollywood’s Construction Of ‘Tawaif Culture’ Is All Empty OpulenceBy Rokeya Ghani 7 min read | May 8, 2024
‘Challengers’: A Splendid Love Triangle That Gratifies The Female GazeBy Kanksha Raina 5 min read | May 7, 2024
‘LSD 2’ Review: A Dyspeptically Comical Take On Our Social And Digital WorldBy Vanshika Sanghi 7 min read | May 3, 2024
