Dhurandhar: The Revenge Gives Us A Peek Into Aditya Dhar’s Manosphere And The Construction Of An Islamophobic NarrativeBy Aarthi Ramnath 6 min read | Mar 27, 2026
Assi Review: A Film That Forces Viewers To Confront Women’s Everyday RealityBy Ananya Shukla 5 min read | Mar 17, 2026
Accused Review: A Trope-Heavy, One-Dimensional Film With Caricaturised CharactersBy Ananya Surana 6 min read | Mar 16, 2026
‘Avatar: Fire And Ash’ And The Power Dynamics That Go UnnoticedBy Swastika Chakraborty 5 min read | Feb 26, 2026
Why We Don’t Need Another Romantic Heathcliff: Emerald Fennell’s “Wuthering Heights” And The Aestheticisation Of Male ViolenceBy Aryaa Singh 6 min read | Feb 23, 2026
‘Mardaani 3’ And The Limits Of The “Strong Female Cop” NarrativeBy Ananya Shukla 5 min read | Feb 5, 2026
‘Kaantha’ (2025): A Film About Filmmaking That Doesn’t Quite DeliverBy Shreenithi Annadurai 5 min read | Jan 29, 2026
‘Param Sundari’ Review: A Tale Of Coconuts, Stereotypes, And XenophobiaBy Akshita Prasad 7 min read | Sep 15, 2025
Love And Conflict: Caricature Of Indian Marriage And Familial Discord In ‘Thalaivan Thalaivii’By Y Laxmi Samhita 5 min read | Sep 4, 2025
Unveiling The ‘Paradha’: On Tradition, Female Agency, And RebellionBy Nausheen Khan 5 min read | Sep 3, 2025
How Progressive Is ‘Too’ Progressive?: ‘Thalavara’ Tackles Social Issues While Keeping The Female Lead As Nurturer-In-ChiefBy Mema Chongtham 6 min read | Sep 2, 2025
In The Name Of Faith And Family: The Mental Health Impact Of Conversion Therapy On Queer Individuals In IndiaBy Malabika Dhar 10 min read | Aug 14, 2025
‘Dhadak 2’: A Reimagining That Finds Its Own Voice And Its Own FuryBy Harshi 7 min read | Aug 13, 2025
Why ‘Saiyaara’ Works: In Defence Of “Outdated” Love StoriesBy Ananya Surana 8 min read | Jul 29, 2025
Metro…In Dino Review: Contemporary Filmmaking In A Brave New WorldBy Ananya Surana 7 min read | Jul 10, 2025
