Amna Nasir
A Pakistani journalist and Culture & Gender scholar at the University of Sydney, Amna Nasir considers herself a hard-core feminist. She is a travel enthusiast and expresses herself through painting, sketching, photography and writing. As clichéd as it may sound, Amna believes in equality of all beings irrespective of their background, colour, gender, religion or ethnicity.
What's Trending On FII?
Geeli Pucchi: Exploring The Messiness Of Caste And Sexuality
Films like Geeli Pucchi are one of those rare opportunities where one can engage with stories that are close to home and heart.
How Do Marital Adornments Impact Women’s Lives?
When Deepika's character in Om Shanti Om asks the question, ‘ek chutki sindoor ki keemat tum kya jaano, Ramesh babu’, all we have to say is ‘keemat jo bhi ho, mehenga toh aurat ko hi padta hain.’
The ‘Aunty’ Body And All That Follows
In the Indian imagination, an ‘Aunty’ is a middle-aged, usually fat woman who is married and has children. Young women, especially unmarried ones, either do not want to associate with the term or are expected to steer clear of it.
Most Popular Stories On FII
These Are The 15 Women Who Helped Draft The Indian Constitution
On this Republic Day, let us take a look at the fifteen powerful women who helped draft the Indian Constitution.
Gender Roles And Stereotyping In ‘To Kill A Mockingbird’
To Kill a Mockingbird covers several themes that are often uncomfortable to encounter and explore, such as racism and loss of innocence.
Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.