Pragya Roy
Pragya is a Master's Graduate in Sociology from Jawaharlal Nehru University. She works as the content editor at Feminism In India. She is also a ramen enthusiast, a hummus mother, a postcard hoarder and a wannabe cat lady. She still prefers writing on her notebooks, rather than on her laptop, but her job demands her to do just the opposite. Her favourite season is spring, and her alter ego is that of Mrs. Dalloway who said, "She would buy the flowers herself", in case no man ever buys her any!
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From Veruthe Oru Bharya To The Great Indian Kitchen: Female Identity In The Domestic...
The Great Indian Kitchen won the Kerala State Award for Best Film and Screenplay. A decade ago women were represented differently in kitchens
Just A ‘Normal’ Mother-Daughter Relationship: Invisibilised Parental Abuse
What do you do when you realise that your relationship with your mother was only made to look 'normal' in a society that invisibilises the trauma inflicted by abusive elders?
10 Women With Disabilities Whose Achievements In 2018 We Should Be Celebrating
While both psychological and physical disabilities are stigmatised by society, here are ten women with disability who kicked ass in 2018.
Most Popular Stories On FII
These Are The 15 Women Who Helped Draft The Indian Constitution
On this Republic Day, let us take a look at the fifteen powerful women who helped draft the Indian Constitution.
Gender Roles And Stereotyping In ‘To Kill A Mockingbird’
To Kill a Mockingbird covers several themes that are often uncomfortable to encounter and explore, such as racism and loss of innocence.
Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.
