Pragya Roy
Pragya is a Master's Graduate in Sociology from Jawaharlal Nehru University. She works as the content editor at Feminism In India. She is also a ramen enthusiast, a hummus mother, a postcard hoarder and a wannabe cat lady. She still prefers writing on her notebooks, rather than on her laptop, but her job demands her to do just the opposite. Her favourite season is spring, and her alter ego is that of Mrs. Dalloway who said, "She would buy the flowers herself", in case no man ever buys her any!
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Film Review Mimi: A Disappointing Contrast To Santhoshathinte Onnam Rahasyam And Sara’s
While Santhoshatinte Onnam Rahasyam and Sara’s explore women's bodily agency, Mimi shuts down the conversation with a tone of judgment
Mahasweta Devi’s Draupadi As A Symbol Of Subaltern Defiance
In Draupadi, Devi presents a strong woman who despite being marginalised and exploited, transgresses conventional sexual and societal standards.
We Must Be Mindful Of Privilege Before Putting The Burden Of Sustainability On Meat...
Our aim should be to move towards sustainable eating while being aware of the privileges that come into play in making these choices
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These Are The 15 Women Who Helped Draft The Indian Constitution
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Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.