‘Aankh Micholi’ Vs Supreme Court: Disability Is Not A PunchlineBy Sohini Sengupta 7 min read | Jul 16, 2024
On Imagining Mothers: How ‘Stanley Ka Dabba’ Holds On To Innocence By Prerna Naidu 6 min read | Jul 16, 2024
‘Mirzapur 3’: The Vehicle Drives The Motive And The Men Follow DesperatelyBy Dr. Guni Vats 6 min read | Jul 16, 2024
‘Kill’: A Gory Splatter Fest Rooted In Desi Weapons, Politics And EmotionsBy Sohini Sengupta 8 min read | Jul 15, 2024
‘Bridgerton’ S3 Part 2: A Rushed Yet Gorgeously Ahistorical FareBy Rokeya Ghani 6 min read | Jul 11, 2024
‘Inside Out 2’: The Celebration Of A Woman’s Emotional Diversity In A Coming-of-Age StoryBy Priyan Majumdar 7 min read | Jul 11, 2024
‘Kalki 2898 AD’: A Mishmash Of Deja Vu, Big B And Desi CyberpunkBy Sohini Sengupta 8 min read | Jul 8, 2024
‘Maharaja’ Review: Vijay Sethupathi And Anurag Kashyap Rock, As Nithilan Saminathan Asks If Revenge Really Is The Best OptionBy Lakshmi Prakash 5 min read | Jul 2, 2024
‘Maharaj’ Is A Forgettable Mess That Neither Ahlawat Nor The Subtext Can SaveBy Sohini Sengupta 6 min read | Jul 1, 2024
‘Ullozhukku’: What Happens When You Dive Deep Into The Undercurrents Of Emotions?By Anjali Ram 6 min read | Jun 28, 2024
A New Wave Of Masculinity In Indian Cinema: Daood Hussain Aka “Gunjan” On ‘Laapataa Ladies’By Sohini S 5 min read | Jun 19, 2024
‘Munjya’ Review: Reimagining Horror Comedy For A Contemporary AudienceBy Hridya Sharma 4 min read | Jun 18, 2024
‘Maidaan’ Lays The Foundation For The Legacy Of Indian FootballBy Dr. Guni Vats 6 min read | Jun 17, 2024
