Understanding Exploitative Tourism And Responsible RecreationBy Sudarshana Ganguly 6 min read | Nov 10, 2023
Telling A Timeless Tale: Revisiting Ghulam Mohammad And Noor Mohammad Tajraan e Kutub, The Oldest Bookshop In KashmirBy Rehan Qayoom Mir 6 min read | Nov 9, 2023
‘Dream Girl 2’ Review: The Patriarchy’s Idea Of A Joke Is Mocking Everything FeminineBy Dr. Guni Vats 6 min read | Nov 8, 2023
What Does ‘O Womaniya!’ Report Say About Representation Of Women In Cinema In 2023By Lakshmi Prakash 8 min read | Nov 7, 2023
‘Killers Of The Flower Moon’: A Film More For Non-indigenous Than For Indigenous ViewersBy Gayatri Devi 7 min read | Nov 7, 2023
The Reality Behind Social Media FOMO And Internet AddictionBy Mehwash Hussain 6 min read | Nov 6, 2023
Who Is A “Red Flag”?: The Public Scrutinisation Of Celebrity Relationships On Social MediaBy Sudarshana Ganguly 5 min read | Nov 6, 2023
‘Valli’ By Sheela Tomy Is A Deeply Sensitive Portrayal Of Wayanadan Adivasis And Their CultureBy Sharanya Gopalakrishnan 5 min read | Nov 3, 2023
FII Interviews: In Conversation With Zareefa Jan, The Poet Who Created Her Own Alphabet Of CirclesBy Fahim Mattoo and Sadaf Shabir 6 min read | Nov 3, 2023
Rethinking ‘Piku’: Exploring The Inner Lives Of Complex Female CharactersBy Rida Fathima 5 min read | Nov 2, 2023
‘Omkara’: Challenging Patriarchy And Defying Conventions In BollywoodBy Ayesha Arif 5 min read | Nov 1, 2023
‘One Part Woman’: The Psychic Burden Of Childlessness And Progeny By Rida Fathima 5 min read | Nov 1, 2023
