Rape As Gameplay: What ‘No Mercy’ Says About Tech, Culture, And Consent By Adithya Kamesh 5 min read | Apr 18, 2025
Who Gets To Tell The Truth?: ‘Phule’ And The Quiet Power Of Savarna Censorship By Anushka Bharadwaj 6 min read | Apr 17, 2025
Talent Defines The Pay—Not Gender: A Lesson From ‘The White Lotus’ By Hiba Rahman 5 min read | Apr 11, 2025
‘L2: Empuraan’ And The Price Of Being Political In Indian Cinema By Saswath Menon 6 min read | Apr 11, 2025
Motherhood As A Spectrum In Pedro Almodóvar’s ‘All About My Mother’ By Samriddhi Chakraborty 6 min read | Apr 10, 2025
‘L2: Empuraan’ (2025): A Flawed Yet Bold Attempt At Political Filmmaking By Vidhupriya 4 min read | Apr 10, 2025
Women In Mythology: Witches, Tricksters And Sorceresses By Insha Qayoom Shah 6 min read | Apr 9, 2025
Can ‘Adolescence’ Change The Way We Teach Gender In Schools? By Sohini Sengupta 6 min read | Apr 4, 2025
ChatGPT’s Ghibli Trend: A Threat To Artistic Authenticity And The Climate By Vishal Sharma 6 min read | Apr 4, 2025
Spotify As A Capitalist Tool Reinforcing Gendered Violence By Krutika Dudharejiya 5 min read | Apr 2, 2025
Too Dangerous To Canonise: Radha And The Patriarchal Fear Of Female Desire By Dhruv Kabra 7 min read | Apr 1, 2025
Misrepresentation And Women’s Participation In ‘Khakee: The Bengal Chapter’ By Soumili Paul 4 min read | Apr 1, 2025
What Does It Mean to Be a Young Boy Today?: ‘Adolescence’ Offers A Grim Reflection By Vanita Bhatnagar 8 min read | Mar 26, 2025