Ayushmita Samal
Ayushmita is a gender and sexuality educator, an amateur researcher, and a Freelance Consultant with an interest in Policy and Development with a gendered approach. She carries a notebook each time she goes to the movies, to jot down all the problematic instances of the film she can rant about later. She is a plant mother and contrary to popular belief, naming plants does not mean she is a loner.
What's Trending On FII?
Film Review: Biriyani – A Gripping Take On The Life Of Muslim Women In...
Biriyani, screened at the 11th Indian Film Festival, Bhubaneshwar, is a stark reminder of the relative, and absolute position of a woman, within the Muslim samajam, society in Kerala today.
The ‘Aunty’ Body And All That Follows
In the Indian imagination, an ‘Aunty’ is a middle-aged, usually fat woman who is married and has children. Young women, especially unmarried ones, either do not want to associate with the term or are expected to steer clear of it.
Kani Kusruti: Setting The Bar High With Acting And Politics Around Body & Representation
In Biriyaani, Kani Kusruti plays the character of Khadeeja, who is in a loveless marriage with an older man and is battling the stigma around the identity of a Muslim woman in India.
Most Popular Stories On FII
These Are The 15 Women Who Helped Draft The Indian Constitution
On this Republic Day, let us take a look at the fifteen powerful women who helped draft the Indian Constitution.
Gender Roles And Stereotyping In ‘To Kill A Mockingbird’
To Kill a Mockingbird covers several themes that are often uncomfortable to encounter and explore, such as racism and loss of innocence.
Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.