Cultural Appropriation And Appreciation: Traversing The Line Between Expression And ExploitationBy Naureen Zaina 5 min read | Jul 15, 2022
Mrs Maisel: Why Does Society Judge Mothers And Forgive Fathers?By Shruti Sarkar 4 min read | Jul 14, 2022
Book Review: ‘Scripting Bollywood’ By Anubha Yadav—Documents Women Scriptwriters And Their JourneyBy Ankita Apurva 9 min read | Jul 12, 2022
“Don’t Fight For What Can’t Be Yours”: Caste And Films Over 40 YearsBy Annesha Mukherjee and Satyaki Dasgupta 6 min read | Jul 12, 2022
FII Interviews: Ikroop Sandhu — Author Of “Inquilab Zindabad”By Saurabh Sharma 8 min read | Jul 8, 2022
Perumal Murugan’s “Shit” And The Interrogation Of Race, Class, Caste, And GenderBy Chaandreyi Mukherjee 10 min read | Jul 7, 2022
Cha Cha Real Smooth Film Review: A Study In Conscious MasculinityBy Debabratee Dhar 6 min read | Jul 5, 2022
Women Protagonists | Everything Everywhere All At Once And The Worst Person In The WorldBy Rishija Singh 7 min read | Jun 30, 2022
Revisiting Bankim Chandra Chattopadhyay’s Women Protagonists On His Birth AnniversaryBy Sukanya Bhattacharya 7 min read | Jun 29, 2022
Sai Pallavi’s Recent Trolling And The Ripple Effect Of Silencing One Woman’s VoiceBy Debabratee Dhar 6 min read | Jun 28, 2022
Women’s Anger On Screen: Looking At Female Rage Through The Female GazeBy Aradhana Choudhury 6 min read | Jun 28, 2022
